The High Country — acrylic on canvas panel, framed, 2018.
“It isn’t the mountains ahead to climb that wear you out; it’s the pebble in your shoe.” Muhammad Ali
Now framed, ‘The High Country’ will be making its debut at this year’s Pegasus Bay Art Show (Waimakariri, NZ). Artworks from 78 local artists will be exhibited and available for purchase. There will also be an art display by the children of Pegasus Bay School which I am very much looking forward to seeing. The art show runs from 21st – 23rd September.
City Lights diptych — acrylic on canvas, 2018. Private collection.
“It’s only impossible if you stop to think about it.” Pirate Captain.
‘City Lights’ is my second black canvas diptych inspired by Melbourne at night. The photograph (below) that inspired the painting was taken somewhere near Lygon Street. The photo of the painting (above) doesn’t really do it justice. As much as I love painting these black canvases, I’m finding them almost impossible to photograph properly.
I’m already on to the next one… : )
City Lights reference photograph, Melbourne, 2015.
“I am always doing that which I cannot do, in order that I may learn how to do it.” Pablo Picasso
‘Chinatown’ (Melbourne) is my first ever painting on black canvas. I bought four little 4″ x 12″ canvases more than a year ago but I haven’t had the confidence to paint on them. Until now. I have no idea what flipped the switch that suddenly made it the right time but I’m so glad I did. Picking up a few tips from tutorials posted online definitely helped and it turns out that I absolutely love love love ❤❤❤ painting on black canvas.
There is a second black canvas diptych waiting in the wings, another Melbourne night cityscape. I have also bought some black gesso so that I can make my own black canvases and continue exploring this new way of painting. Happy days.
Open the Door — mixed media on canvas, 100 x 100 mm, 2018. Available.
Pause — mixed media on canvas, 100 x 100 mm, 2018. Available.
“…it is part of the artist’s function to pay sudden attention to… the details the world is constantly offering us, and then, if adequately arrested by them, to give them a singular existence, transforming them without falsifying them to reveal the capacity that all ordinary things have to become suddenly remarkable when picked out by human vision.” Margaret Mahy