Gerbera study – acrylic on card, 200 x 280 mm, 2013.Gerbera study, detail.
I’ve been experimenting with my new paints… and I’m in love with quinacridone magenta!
Today’s Shoot it, Sketch it is all about colour and texture. The subject is something I sketched a few years ago (see below). The original photo is even older (2004 is not a typo). Just for fun, I used the sketch of the photo (rather than the photo) as my reference.
Original watercolour sketch, 2010.Original photo, 2004.
Some people call them mistakes. I like to call them unexpected outcomes.
It can be very frustrating when a drawing doesn’t turn out as planned. Why can’t I draw a straight line? Why isn’t the perspective right? The figures are flat. The colours are wrong. The ink has dripped onto the paper and now the sky is frowning.
Personally, I don’t think there’s anything wrong with this kind of creative struggle. Quite the opposite. I believe that unexpected outcomes are an essential part of the creative process. They’re an indication that we’re exploring possibilities, stretching ourselves and continuing to grow as artists.
You start with a blank piece of paper. You draw. After ten minutes (or an hour or a day), you’ve created something that NOBODY ELSE IN THE WORLD has created. Something new exists because of you. Okay, so it’s not what you imagined it would be and maybe you’re a bit disappointed. But sometimes, sometimes it takes your breath away. I did that? How did I do that? I wonder if I could do that again?
Sometimes the very thing that we didn’t intend is where the magic happens.
I enjoyed a little sketchbook time while away on holiday last month and thought I’d use one of the pages for this week’s Shoot it, Sketch it ― although it’s really a Sketch it, Shoot it. The drawing I originally planned to post today is still a long way from being finished. Why, oh why do I tackle such complicated illustrations? You’ll see what I mean next week.
Lilac Wolf NZ logo design, competition entry, 2012.
I entered this design in a logo competition a few months ago. The brief was to create a logo for dog spa Lilac Wolf NZ that was positive and memorable. The concept behind the brand is that every dog dreams of feeling like a wolf and being treated like a king.
My design shows Lilac Wolf surrounded by bubbles. He imagines they are craters on the moon… or snow falling in the forest. He is howling with happiness — or is he blowing/chasing bubbles?
These are the initial sketches. I really liked the texture of #1 but I decided to work with #2 because of the body shape.
The scanned sketch became a vector trace (flipped and altered slightly).
The traced fur was used as a guide for the coloured vector shading.
I deleted the original fur, continued to edit the shading and the bubbles, and gave the moon a gradient fill. I then redesigned the fur and tweaked a few things for the final logo.
P.S. For those who are curious, I’ve just been told that there was no winning design in the competition.
Windermere, Akaroa – ink and watercolour, 210 x 295 mm, 2013Windermere, Akaroa – ink on watercolour paper, 2013Windermere historic house, Rue Lavaud, Akaroa, 2012
I drew a quick sketch of this historic Akaroa house a couple of years ago (see below) and thought it might be fun to revisit it — figuratively and literally. The photo was taken a few months ago with this Shoot it, Sketch it project in mind. Windermere was built as a boarding house in 1877.
Akaroa – sketches, 2010
Can you spot the subtle difference? The house no longer has a chimney (the earthquakes that have rattled the Canterbury region over the last couple of years are probably to blame — an awful lot of chimneys and brick buildings were damaged in 2011).