Time slip

Time slip – acrylic on canvas, 102 x 102 mm, 2014 (for sale)
Time slip – acrylic on canvas, 102 x 102 mm, 2014. Sold.

The title ‘Time Slip’ was the first thing that popped into my head once I finished this mini abstract. I must have been thinking about Doctor Who… or possibly the lyrics of the ‘Time Warp’ song… “With a bit of a mind flip, you’re into a time slip and nothing can ever be the same.”

Time slips happen quite a lot when I’m painting ― no, not the kind where I’m suddenly transported back to the French Revolution. I’m referring to the kind of time slip where you are so focussed on what you’re doing that time slips away and the time you spend doing something feels like no time at all.

Proof, as far as I’m concerned, that time travel IS possible.

The green, green grass (and the red, red hills) of home

The green, green grass of home — acrylic on canvas, 305 x 405 mm, 2014
The green, green grass of home — acrylic on canvas, 305 x 405 mm, 2014. Private collection.

Sergei Bongart’s advice to study nature, exaggerate light and be less inhibited (the quote I posted here on Friday) is more than a little to blame for this painting which I started on Friday morning and finished off on Saturday afternoon. It is based on one of the photographs I took during our DC-3 flight over Christchurch last year.

View of the Port Hills from a DC-3, Christchurch, 2013
View of the Port Hills from a DC-3, Christchurch, 2013

Because I wanted to exaggerate the landscape, I decided to go with a fairly adventurous palette (inspired by, among others, the late, great Friedensreich Hundertwasser’s ‘Blobs grow in beloved gardens’ 1975 and ‘Green town’ 1978.

But where did the red hills come from? Well, the bright red is my complementary exaggeration of the dark green trees. And the sheep? That was my way of introducing a calm focal point ― something to suggest that perhaps the hills were not on fire : )

The green, green grass of home, detail
The green, green grass of home, detail

New Brighton Pier

New Brighton Pier, Christchurch — acrylic on canvas, 230 x 305 mm, 2014
New Brighton Pier, Christchurch — acrylic on canvas, 230 x 305 mm, 2014. SOLD

Finished, freshly varnished and now for sale sold. Click here if you missed the original post about this painting.

I’ve listed a couple of other paintings ― two I’m rather fond of that I painted last year. Both are available via Etsy or directly from me.

‘Runner’ and ‘Peace and Love’ 2013
‘Runner’ and ‘Peace and Love’ 2013. SOLD

I’ve struck gold

Goldmine – acrylic on canvas, 102 x 102 mm, 2014
Goldmine – acrylic on canvas, 102 x 102 mm, 2014

I’ve just discovered Winsor & Newton’s beautiful Gold artists’ acrylic (seen here on a black textured background along with a few touches of Quinacridone Gold and Dioxazine Purple).

For sale on Etsy and on my ‘Paintings for sale’ page.

Now… what else can I paint gold?

Everything is important

Anna Cull Sidetracked 2014
Bluescape – acrylic on canvas, 102 x 102 mm, 2014. Sold.

“The best reason to paint is that there is no reason to paint… I’d like to pretend that I’ve never seen anything, never read anything, never heard anything… and then make something… Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it… Nothing is important… so everything is important.” Keith Haring

This mini abstract is now for sale has now sold. At 4 x 4 inches, it’s the smallest canvas I’ve ever painted!