Where shadows grow long at the foot of the mountain, ghost trees shine like gold. Acrylic on canvas, 102 x 102 mm, 2014. Sold.Ghost trees, Arthur’s Pass, original photo, 2013 — Cropped and Photoshopped, 2014 (click to embiggen)
The really long title is also a haiku. I’m thinking it may be the first of a series of mini canvas + haiku combinations.
The painting is based on another phone-camera image edited in Photoshop. Good old Photoshop!
Southern Alps, Oxford – acrylic on canvas, 204 x 204 mm, 2014 (SOLD)Southern Alps, Oxford, original photo, 2012 — Cropped and Photoshopped, 2014 (click to embiggen)
Question: when is a bad, low-res phone photo a good photo? Answer: when it’s the only one you’ve got. After opening my horribly pixelated image in Photoshop, I lightened it a little and messed around with artistic filters until I had something I didn’t object to looking at, printed it, and painted it. The details you would normally expect to see in a ‘good’ photo were slightly blurred and kind of painterly even before I started working on the canvas — which was an unexpected bonus because it meant not having to squint (a time-honoured technique for getting rid of unnecessary details). I really like not having to squint.
During my break from blogging last month, I was given the opportunity to create a couple of logos. One client wanted a design based on water, the other client asked for a ‘rising sun’ graphic — and this is what I came up with:
Ruth wanted her Relax Restore Massage logo (above) to be simple and modern and to represent the soothing and healing aspects of her massage therapy business. The river lines were hand-drawn, scanned and converted into a vector graphic. They also became the background pattern for Ruth’s gift vouchers and Facebook cover.
Julian asked for his design (below) to communicate potential, strength, growth, moving through obstacles and breaking new ground to become unstuck. He says that the services he offers can be quite challenging for people and not always ‘relaxing’ in the traditional sense. He also wanted a dramatic panorama for his website banner. The banner landscape is an acrylic painting which I scanned and adjusted slightly (for dramatic effect) in Photoshop. I was so happy with the end result that I used it on the business cards and gift vouchers too.
I’ve just discovered Winsor & Newton’s beautiful Gold artists’ acrylic (seen here on a black textured background along with a few touches of Quinacridone Gold and Dioxazine Purple).
For sale on Etsy and on my ‘Paintings for sale’ page.
Lighthouse – acrylic on canvas, 102 x 102 mm, 2014. Sold.
Cape Leeuwin Lighthouse, Western Australia, 2011
Cape Leeuwin Lighthouse stands where the Southern Ocean and the Indian Ocean meet. I posted the photograph a few weeks ago as a Wordless Wednesday feature — and I still have no idea what that cow is doing there (saying ‘cheese’ perhaps?)…
I’ve fallen in love with painting these modest little 4″ x 4″ canvases, so don’t be surprised if you see a few more in the not-too-distant future.
Bluescape – acrylic on canvas, 102 x 102 mm, 2014. Sold.
“The best reason to paint is that there is no reason to paint… I’d like to pretend that I’ve never seen anything, never read anything, never heard anything… and then make something… Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it… Nothing is important… so everything is important.” Keith Haring
This mini abstract is now for sale has now sold. At 4 x 4 inches, it’s the smallest canvas I’ve ever painted!