Supermoon at Twilight

Supermoon at Twilight β€” acrylic on canvas, 305 x 405 mm, 2018. SOLD

‘Supermoon at Twilight’ is a revisiting of my study of a supermoon over Moorhouse Ave, Christchurch, in 2013. The new version was painted on a black canvas (of course!). The work-in-progress images (below) show i) work on the composition (mainly tweaking the city silhouette) and ii) changes to the underpainting colours prior to adding the final layers. Go, moon, go!

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The High Country

The High Country β€” acrylic on canvas panel, framed, 205 x 255 mm, 2018. SOLD

If you’ve ever been through Springfield on your way to the west coast of New Zealand’s South Island, you would have seen this view of Mt Torlesse, Korowai/Torlesse Tussocklands Park. It is one of my favourite parts of the country. It’s also a landscape that I painted in 2014 which you can see here. I found it interesting comparing the two paintings ~ four years has gone by in my art journey and I hope I’ve learnt a thing or two along the way.

‘The High Country’ is the first of a number of landscapes that I’ve decided to revisit and paint again, this time as part of my ‘black canvas experiment’.

And I’m not going to get tired of painting on black canvas any time soon.
πŸ”πŸ”πŸ”Β Onward and upward.Β πŸ”πŸ”πŸ”

All I can be is me β€” whoever that is

Wild Clouds – acrylic on canvas, 200 x 610 mm, 2017

β€œAll I can be is me β€” whoever that is.” Bob Dylan

Another painting; another journey. ‘Wild Clouds’ incorporates quite a few of my favourite things: mountains, clouds, light, texture, the familiar and the abstract. It won’t appeal to everyone. That’s okay. My husband diplomatically says “it’s not my taste” and that’s okay too. Hey, I’m not quite sure I like it. But then I leave the room and come back and think, mmmm, yes, it really is okay. It changes with the light. It shifts and doesn’t stay still. I love the colours and the shape of the clouds. It is playful. It is dramatic. And, at the end of the day, it is finished.

I used an almost identical palette to that ofΒ ‘The Heart of a Rose’ with the addition of a shimmery gold for the sunset. The red was mixed into the pinks, purples, and greys. I originally intended the sky to be quite golden and more like the reference photograph (see below) but it didn’t look right. It was too happy, too sunny for winter.The golden light looks wonderful in the photo… but then the snow in the photo isn’t blue. Changes were made, layers were added (a lot of lovely layers), and now it is done.

Wild Clouds – detail
Wild Clouds – side detail
Alpine Sunset, 2013, photo reference
Wild Clouds – in situ

A new question

AnnaCull-GoldenHour-WP-post
The Golden Hour β€” watercolour and gouache, 128 x 128 mm, 2017. SOLD

β€œA piece of art is never a finished work. It answers a question which has been asked, and asks a new question.” Robert Engman