Tag Archives: painting

Happy 5th Annaversary!

Another milestone. They seem to come around a little quicker every year. Is that possible? My WordPress blog turns FIVE today! To mark the occasion, here is a slideshow of a few of my favourite paintings from the last year.

I am celebrating my anniversary with a 25% off sale on Etsy — a thank you to my readers and followers for your encouragement and support over the years. Apply the code [ ArtCaveTurns5 ] at checkout to get 25% off the listed price of everything… paintings, cards, even commissions! The offer will run until the end of March 2017.

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We are being painted

An Approach to Sunlight – acrylic on canvas, 405 x 405 mm, 2017. Available for purchase.

An Approach to Sunlight – acrylic on canvas, 405 x 405 mm, 2017. Available for purchase.

“To live is to paint, it is to create; but while we are painting, we are being painted, being created as well!” Mehmet Murat İldan

Here is one final Southern Alps painting… for now, anyway. ‘An Approach to Sunlight’ completes the 16″ x 16″ trilogy. It’s a little wilder and more colourful than its siblings.

I think it’s time to move away from the mountains and do something else. I’m not short of ideas — far from it — it’s just a matter of deciding which one to tackle next. Any suggestions?

The art of shopping, part one

I mentioned in my last post that I’ve been revamping some of the images in my Etsy shop, so I thought I’d show you a few of my favourites. These were all created with digital trickery : ) and each picture is a combination of three different photographs: the original painting + my black travel easel + the photo that inspired the painting (in the background & slightly out of focus to give a kind of ‘depth of field’ effect)…

Sidetracked, 12 x 12 inches

‘Sidetracked’ (12 x 12 inches), the railway tracks and golden sand near Koekohe Beach in Otago, NZ

'Boatsheds' (10 x 30 inches), the Banks Peninsula coastline and boat sheds along Duvauchelle Bay near Akaroa, NZ

‘Boatsheds’ (10 x 30 inches), the Banks Peninsula coastline and boat sheds along Duvauchelle Bay near Akaroa, NZ

'Thursday, Avon River' (30 x 20 inches), ducks swimming on the Avon River in Christchurch, NZ

‘Thursday, Avon River’ (30 x 20 inches), ducks swimming on the Avon River in Christchurch, NZ

'Riding the Falls' (16 x 12 inches), a Huka Falls jet boat on the Waikato River, NZ

‘Riding the Falls’ (16 x 12 inches), a Huka Falls jet boat on the Waikato River, NZ

The other idea I’ve been playing around with is showing how my paintings could look on walls in different rooms. Because our house is not very big and much too untidy for a photo shoot, I decided to draw the furniture instead of photographing it. This is the first of what I hope will be a series of illustrated ‘in situ’ paintings…

'Moon Over the City' (16 x 12 inches, unframed), living room illustration

‘Moon Over the City’ (16 x 12 inches, unframed), living room ‘in situ’ illustration

One of the other things I mentioned last week was that I have discovered the wonderful world of Polyvore… but I’ll tell you more about that and how I came to be involved in yet another social media site (I know, I know…) in my next blog post. Thanks for reading.

Wednesday

“They didn’t want it good, they wanted it Wednesday.” Robert A. Heinlein

I tend to thrive on deadlines, creating them for myself even if I don’t have to because it makes me more productive, but this month I have no projects demanding urgent attention. And I’m still managing to get a few things done.

Here are a couple of little drawings I’ve just finished and listed on Etsy:

The Return #1 — ink and watercolour, 90 x 90 mm, 2016. Available for purchase.

The Return, diptych, #1 — ink and watercolour, 90 x 90 mm, 2016

The Return #2 — ink and watercolour, 90 x 90 mm, 2016. Available for purchase.

The Return, diptych, #2 — ink and watercolour, 90 x 90 mm, 2016

Worth the Risk — ink and watercolour, 128 x 128 mm, 2016. Available for purchase.

Worth the Risk — ink and watercolour, 128 x 128 mm, 2016

The talent of the poet

WIP — photo references

WIP — photo references for my next two paintings

“The painter needs all the talent of the poet, plus hand-eye coordination.” Robert Brault

I read an article last month that changed my mind about working in series — it’s something I haven’t been interested in doing… until now. Here’s an excerpt from ‘Reasons for Artists to Make Art in Series’ which I found on www.artbusiness.com:

“In a way, you can compare making art to writing a novel or composing a poem. Very few ideas can be adequately expressed in single chapters or verses as compared to how thoroughly they can be treated in entire novels or poems. The same holds true for art.”

The author, Alan Bamberger, went on to talk about a series providing context and taking viewers on a journey, and I had one of those ‘a-ha’ moments. How many times have I seen a work of art and then visited the artist’s website only to be confused by seeing artworks that have nothing to do with the one I first saw? Don’t get me wrong — I love variety. There’s definitely a point at which, for me, seeing art that is too much the same turns me off. Fortunately there are many different ways of working in series so that a body of work tells a story or appears connected, and that’s what I’m interested in exploring.

I’ve spent the last few years painting all sorts of things in a variety of different styles and I have a pretty good idea of what wakes me up and holds my attention, creatively speaking. So now, as well as going off on my experimental tangents, I’m going to start organising my art into novels and poems — two metaphors that make complete sense to me. And that brings me to today’s post. I’ve started working on a series of aerial landscapes based on photos I took on a memorable flight over the Canterbury Plains in 2013. More WIPs to follow soon.

WIP — sketches

WIP — sketches (please click on the image for a clearer view)