…and another slideshow showing the progression from reference photograph (taken oh so long ago in 2009) through to the final line drawing. Available on Etsy as a printable instant download for your colouring pleasure : )
Colouring pages for the virtual traveller, for the stuck-at-home self-isolator, and for those of you who love a challenge… It has taken me over a week to draw this Port Chalmers scene. What was meant to be a single, printable, A4 page has ended up being so detailed (what was I thinking?) that I have created a two-pager as well, to make it a little easier to colour in (all three are shown above). I’ve just started colouring the single-page version ~ I’ll post it here when it’s finished.
As New Zealand prepares to enter a four-week nationwide lockdown (thanks, COVID-19), I have been wondering if there might be some little thing that I could do to make life a little lighter and brighter for those in isolation from their normal lives. And so the first of my colouring pages is being born. Of course I have picked THE most complicated scene to start with… and it’s taking ages to draw… but I figure that if I’m not bored, anyone colouring it in might be not bored too.
I’m planning to do at least three New Zealand landscapes as colouring pages. My first page is based on a photograph of Port Chalmers with the historic Iona Church in the foreground and a large congregation of houses and trees in the surrounding neighbourhood. It may take a day or two (or three) to finish… and then it will be available via Etsy as a printable instant download.
“It’s only impossible if you stop to think about it.” Pirate Captain.
‘City Lights’ is my second black canvas diptych inspired by Melbourne at night. The photograph (below) that inspired the painting was taken somewhere near Lygon Street. The photo of the painting (above) doesn’t really do it justice. As much as I love painting these black canvases, I’m finding them almost impossible to photograph properly.
Here is the second in my ‘roads and signs’ series of landscapes based on photographs I’ve taken over the years as a passenger, being driven from one place to another along Canterbury’s beautiful winding roads but rarely having the opportunity to stop and take a proper photo. I started turning some of my slightly random through-the-window shots into paintings last year and I suspect I’ll continue to do more again this year.
‘Summer Hills’ is a landscape somewhere on the road from Akaroa to Christchurch and very near the location of the painting in my previous post. I’ve included the original photograph, the initial study and several WIP images below:
You may be able to tell from the WIPs that I wasn’t entirely sure what to do with the lower half of the painting — the sky was pretty much there from day one but the foreground was another story. I solved it in the end by mixing a really bright lime green and a vivid blue and just ‘going for it’ (I believe that’s the technical term).
I began a series of landscape studies last year based on some of the many (many) photographs I’ve accumulated over the years as a passenger, being driven from one place to another along Canterbury’s beautiful long and winding roads but rarely having the opportunity to stop and take a proper photo. So I have all these images of roads. And signs. I rather like the perspective of these slightly random through-the-window shots. They’re familiar; more like memories of having been somewhere and less like formal compositions carefully considered before painting (although of course they are that too).
First up is ‘Summer Roads’ which was based on a photo taken as we were driving into Takamatua on the road from Akaroa to Christchurch. I’ve posted the original photograph, the study, and a few WIP images below:
I mentioned in my last post that I’ve been revamping some of the images in my Etsy shop, so I thought I’d show you a few of my favourites. These were all created with digital trickery : ) and each picture is a combination of three different photographs: the original painting + my black travel easel + the photo that inspired the painting (in the background & slightly out of focus to give a kind of ‘depth of field’ effect)…
The other idea I’ve been playing around with is showing how my paintings could look on walls in different rooms. Because our house is not very big and much too untidy for a photo shoot, I decided to draw the furniture instead of photographing it. This is the first of what I hope will be a series of illustrated ‘in situ’ paintings…
One of the other things I mentioned last week was that I have discovered the wonderful world of Polyvore… but I’ll tell you more about that and how I came to be involved in yet another social media site (I know, I know…) in my next blog post. Thanks for reading.