‘Supermoon at Twilight’ is a revisiting of my study of a supermoon over Moorhouse Ave, Christchurch, in 2013. The new version was painted on a black canvas (of course!). The work-in-progress images (below) show i) work on the composition (mainly tweaking the city silhouette) and ii) changes to the underpainting colours prior to adding the final layers. Go, moon, go!
“It’s only impossible if you stop to think about it.” Pirate Captain.
‘City Lights’ is my second black canvas diptych inspired by Melbourne at night. The photograph (below) that inspired the painting was taken somewhere near Lygon Street. The photo of the painting (above) doesn’t really do it justice. As much as I love painting these black canvases, I’m finding them almost impossible to photograph properly.
“I am always doing that which I cannot do, in order that I may learn how to do it.” Pablo Picasso
‘Chinatown’ (Melbourne) is my first ever painting on black canvas. I bought four little 4″ x 12″ canvases more than a year ago but I haven’t had the confidence to paint on them. Until now. I have no idea what flipped the switch that suddenly made it the right time but I’m so glad I did. Picking up a few tips from tutorials posted online definitely helped and it turns out that I absolutely love love love ❤❤❤ painting on black canvas.
There is a second black canvas diptych waiting in the wings, another Melbourne night cityscape. I have also bought some black gesso so that I can make my own black canvases and continue exploring this new way of painting. Happy days.
Here is the second in my ‘roads and signs’ series of landscapes based on photographs I’ve taken over the years as a passenger, being driven from one place to another along Canterbury’s beautiful winding roads but rarely having the opportunity to stop and take a proper photo. I started turning some of my slightly random through-the-window shots into paintings last year and I suspect I’ll continue to do more again this year.
‘Summer Hills’ is a landscape somewhere on the road from Akaroa to Christchurch and very near the location of the painting in my previous post. I’ve included the original photograph, the initial study and several WIP images below:
You may be able to tell from the WIPs that I wasn’t entirely sure what to do with the lower half of the painting — the sky was pretty much there from day one but the foreground was another story. I solved it in the end by mixing a really bright lime green and a vivid blue and just ‘going for it’ (I believe that’s the technical term).