Landscape in the late afternoon (with cows) – acrylic on canvas, 510 x 760 mm, 2015. Sold.
“Draw on both sides of the line, not just what you’re enclosing. The shape you’re making on the outside is as important as the one you’re making on the inside.” Leon Polk Smith
My latest painting, the one that began last week with this photo and sketch: a combination of brilliant sunlight and playful cloud shapes. And who doesn’t love finding things in the clouds?
I’m reminded of the Joni Mitchell song Both Sides, Now: “I’ve looked at clouds from both sides now, from up and down, and still somehow it’s cloud illusions I recall ― I really don’t know clouds at all.”
Landscape in the late afternoon (with cows), landscape detailLandscape in the late afternoon (with cows), cloud detail
Thursday (Avon River) – acrylic on canvas, 760 x 510 mm, 2015. SOLDPoplars, Christchurch (NZ), 2014
“Colour is my day-long obsession, joy and torment.” Claude Monet
“Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.” Andy Warhol
This is my third painting created especially for this year’s Christchurch Art Show. I hope to finish several more before the exhibition in June. I also have a large (and I mean LARGE) commission work I’ve just started on : )
Warm Night, Southern Sky – acrylic on canvas, 605 x 910 mm, 2015. Private collection.
“Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.” W. H. Murray
As I mentioned last week, I’ve started preparing for this year’s Christchurch Art Show. It will be my first exhibition* and all artworks will be for sale. I’ll be surrounded by talented artists and awesome art (there’s a video of last year’s event on their website) and I’m a little nervous about it ― but when the opportunity presented itself last year (a nice lady from the show contacted me, having seen my work on this blog, and suggested that I apply), it seemed like the right ‘next step’ for me and my art. I’m now doing my best not to stress about it but I have quite a few large and large-ish canvases I need to paint in order to have enough work for the four-day exhibition. I’m telling myself: one painting at a time… and the show isn’t until June…
‘Warm Night, Southern Sky’ is the first of those canvases ― one down, (at least) six more to go.
My thanks to Kathie Pugaczewski for making me aware of the W. H. Murray quote.
Red sky at night, original photo – Christchurch, 2012
This is the second time I’ve used my ‘red sky at night’ photograph as a reference for a painting. The first was an ink and watercolour sketch (click hereto see the post).
* Strictly speaking, I have had student exhibitions and I did take my work to a mini market last year — this event, however, is much (much) bigger. And scarier. Onward and upward.
French Lace, with thanks – acrylic on canvas, 102 x 102 mm, 2015
French Lace – reference photograph, 2014
I took a few liberties with this one ― it’s really more of an abstract impression of a rose.
As you probably know, every rose colour has a meaning, and peach-coloured roses can mean gratitude or appreciation — hence the title of this mini canvas : )