Author: Anna Cull

Blossomtime

final painting of pink cherry trees lining a footpath bordering Hagley Park in Christchurch, New Zealand
| Anna Cull
final painting (cherry trees lining a footpath bordering Hagley Park in Christchurch, NZ) presented in the context of a line-drawn living room to give an idea of the size
‘Blossomtime’ acrylic on canvas, 610 x 510 mm, 2024. Available.

Fluffy pink popcorn
Leaps from ten thousand branches:
Spring in slow motion.

It’s strange to be posting a painting of spring in the first week of winter! (Okay, so it won’t seem at all strange to those of you in the northern hemisphere.) Christchurch’s Hagley Park is always a picture when the blossoms pop. I’ve been meaning to paint this scene for ages… and now here it is.

  • the photo reference that inspired the painting of pink cherry trees in full blossom bordering Hagley Park in Christchurch, NZ
    Photo reference
  • work in progress underpainting in greys, white and yellow ochre
    WIP 1
  • work in progress adding pale blue and more detail to the landscape
    WIP 2
  • work in progress adding green and more details to the landscape
    WIP 3
  • final painting of pink cherry trees lining a footpath bordering Hagley Park in Christchurch, New Zealand
    Final

No charcoal sketch this time ~ just straight in with brush and paint. ‘Blossomtime’ will be part of this month’s exhibition at the Down by the Liffey Gallery.

THE REAL AND THE SURREAL EXHIBITION
WEDNESDAY 12TH JUNE — SUNDAY 7TH JULY
DOWN BY THE LIFFEY GALLERY, 1 JAMES STREET, LINCOLN, CANTERBURY, NZ

The other artists exhibiting will be potter Della Goodinson and painter Georgette Thompson.

Garden City Blocks II

final painting of buildings and trees in the foreground, and the green trees of Latimer Square park in the background
| Anna Cull

‘Garden City Blocks II’ acrylic on canvas, 510 x 510 mm, 2024. Available.
  • the photo reference that inspired the painting of buildings and trees in the foreground, and the green trees of Latimer Square park in the background
    Photo reference
  • work in progress charcoal sketch on canvas
    WIP 1
  • work in progress tonal underpainting in greys, white and yellow ochre
    WIP 2
  • further progress in the tonal underpainting
    WIP 3
  • work in progress adding colour to the landscape
    WIP 4
  • final painting of buildings and trees in the foreground, and the green trees of Latimer Square park in the background
    Final

The second in my Garden City Blocks series, the reference photo (below) was taken high above Christchurch from the window of a DC-3. I only painted one tiny section, so there’s still plenty left for me to paint if I decide to continue with this series. After a little Google Maps research, I discovered that the view was overlooking Latimer Square. I think the light underneath the trees in the park may be the hero of this particular landscape but the car-shaped objects were the most fun to paint.

The section I painted is somewhere near the lower right.

‘Garden City Blocks II’ will be part of next month’s exhibition at Down by the Liffey Gallery.

The Real and The Surreal Exhibition
Wednesday 12th June — Sunday 7th July
Down by the Liffey Gallery, 1 James Street, Lincoln, Canterbury, NZ

The other artists exhibiting will be potter Della Goodinson and painter Georgette Thompson.

Garden City Blocks I

final painting on canvas of Christchurch Hospital in the foreground, green trees, and the Arts Centre in the background, all bathed in the warm light of summer
| Anna Cull
final painting of Christchurch Hospital in the foreground, green trees and the Arts Centre in the background, presented in the context of a line-drawn living room to give an idea of the size

‘Garden City Blocks I’ acrylic on canvas, 510 x 510 mm, 2024. Available.
  • the photo reference used to create the painting, with Christchurch Hospital in the foreground, an abundance of green trees, and the Arts Centre in the background
    Photo reference
  • work in progress charcoal sketch on canvas
    WIP 1
  • work in progress tonal underpainting in greys, white and yellow ochre
    WIP 2
  • work in progress tonal underpainting, with more greys, whites and yellow ochre
    WIP 3
  • work in progress adding colour to the landscape
    WIP 4
  • final painting on canvas of Christchurch Hospital in the foreground, green trees, and the Arts Centre in the background, all bathed in the warm light of summer
    Final

This is the first of two local landscapes painted in a style similar to the Pleasant Valley Sundays. The reference photo was taken a little over ten years ago, high above Christchurch city, from the window of a DC-3. I zoooooomed in and found a view overlooking Christchurch Hospital with the Arts Centre in the background. So that you can appreciate exactly how much I had to zoom in to find my composition, I’ve posted the original unedited photograph below…

The section I painted is in the middle distance on the far left, near the wing.

The painting is, I think, now finished, and will be part of next month’s exhibition at Down by the Liffey Gallery in Lincoln.

The Real and The Surreal Exhibition
Wednesday 12th June — Sunday 7th July
Down by the Liffey Gallery, 1 James Street, Lincoln, Canterbury, NZ

The other artists exhibiting will be potter Della Goodinson and painter Georgette Thompson.

A Night to Remember

final painting of yellow, orange and purple clouds with the silhouette of three tall palm trees in the foreground
| Anna Cull
‘Yellow Orange Purple (A Night to Remember)’ acrylic on canvas, 610 x 510 mm, 2024. Available.

And what a night it was. As far as skies go, I think there is nothing yummier than clouds changing colour as the sun sets during a Canterbury nor’wester. I have painted this scene before (as ‘Red Sky at Night’ and also as ‘Warm Night, Southern Sky’) and I’m pretty sure I’ll be painting it again.

  • the photo reference that inspired the painting of yellow, orange and purple clouds with the silhouette of three tall palm trees in the foreground
    Photo reference
  • work in progress charcoal sketch on canvas
    WIP 1
  • work in progress tonal underpainting in black, grey, yellow ochre and white
    WIP 2
  • work in progress adding colour to the clouds and landscape
    WIP 3
  • final painting of yellow, orange and purple clouds with the silhouette of three tall palm trees in the foreground
    Final

With June’s exhibition fast approaching ~ as I knew it would ~ I wanted to include a few larger paintings (i.e. larger than the ones I usually paint). ‘Yellow Orange Purple (A Night to Remember)’ is the first of them ~ three more to go.

Exhibition details coming next month.

Trees

final painting of a row of trees with green grass in the foreground and soft blue mountains in the distance, presented in the context of a line-drawn living room to give an idea of the size
| Anna Cull
final painting of a row of trees with green grass in the foreground and soft blue mountains in the distance, presented in the context of a line-drawn living room to give an idea of the size
‘A Conversation with Trees’ acrylic on canvas, 305 x 610 mm, 2024. Available.

Sunlight gathers; leaves,
Deep in conversation, turn
Autumn evergreen.

  • the photo reference that inspired the painting: a typical New Zealand landscape of sheep, green grass and a line of trees
    Photo reference
  • work in progress tonal underpainting in grey, white and yellow ochre
    WIP 1
  • work in progress adding colour and details to the landscape
    WIP 2
  • work in progress adding more colour and details to the landscape
    WIP 3
  • final painting on canvas
    Final

This is a scene I’ve painted before ~ both with and without sheep. I love the shapes and the colours, and I love that it is so typically New Zealand. ‘A Conversation with Trees’ will also be part of my exhibition in June. Details coming next month.

Clouds

final painting of low clouds over bushy green hills, blue mountains in the distance and three power poles on the left in the foreground, presented in the context of a line-drawn living room to give an idea of the size
| Anna Cull
‘A Conversation with Clouds’ acrylic on canvas, 305 x 610 mm, 2024. SOLD

Whispers of low cloud
Come and go with the sunrise:
A perfect morning.

  • Photo reference
  • WIP 1
  • WIP 2
  • WIP 3
  • Final
‘A Conversation with Clouds’ detail
‘A Conversation with Clouds’ detail

I am saving this one for June’s exhibition ~ it looks so much better in person than in the photos. I will post details of the exhibition a little closer to the time.