



Today’s Shoot it, Sketch it is yet another experiment. The inspiration was a photograph taken at our back door last April. Something about the dry, curly leaves and the tiny, creamy white petals really appealed to me.

I painted it three times ― twice with brushes (above) and a third time with a palette knife (using the leftover paint for the background) and acrylic paint markers (below).

Then I combined the three paintings in Photoshop and tweaked a few filters to create the series below.




These photos show the progress of Sparrow (Monday’s In the style of…) painting. I started with an underpainting of Ultramarine Blue and Burnt Umber ― I’ve fallen in love with these two colours because they blend together to make the most beautiful black (see the note below about chromatic blacks).



I’m a big fan of chromatic blacks (made using colour rather than a specific black pigment). It’s so satisfying to mix your own ‘black’ and achieve subtle variations of colour — it’s much more fun than simply reaching for a tube of Ivory Black (although I do that too). I’ve used both kinds of black in my little sparrow painting.

I got a bit carried away adding white to his feathers and ended up with a colour I didn’t like ― a sort of pale grey-brown ― so I waited for the unfortunate, dreary colour to dry and painted a more cheerful pinky-brown over it (see below).

I also made him a little bit fatter and a whole lot fluffier. And I still really like that strand of spider silk in the corner.
Thanks for reading.


It may seem a strange thing for an arachnophobe to say… but my favourite thing about this painting is the thread of spider silk.
I’ll post my work-in-progress photos later in the week.

Prolific Swiss artist and designer Celestino Piatti (1922–2007) has an instantly recognisable style. I may be wrong but I’m pretty sure I’m one of his biggest fans. My favourite Piatti quote: “You can draw an owl a thousand times, and never find out its secret”.
In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.


I originally created this landscape as a digital illustration (it’s the background of this poster). The scene is based on a number of different photographs and even though it is not an actual location, it is typical of the scenery here in Mid Canterbury ― the snow-covered Southern Alps, the colourful Canterbury Plains ― except that I omitted the rivers… and the houses… and the sheep…