Shoot it, Sketch it revisited: Black bird

Anna Cull Black bird haiku

This week’s Shoot it, Sketch it revisited is a little different. Rather than painting Black bird on a grey day again (which I was just about to do), I’ve used it as the inspiration for a haiku (prompted by blogger Digital Granny who thought the image would make a nice background for a poem). It’s my first ever haiku. It’s such a fascinating art form — I’ve been meaning to write one for ages. Thanks, DG.

Unexpected outcomes, part four

Black bird sketch – ink on paper, 2012
Black bird sketch – ink on paper, 2012

Am I the only one who finds it impossible to predict what people are going to like?
I certainly didn’t think anyone would like Black bird on a grey day. I was wrong.

The sketch is based on a photograph. I thought I would create a pattern out of the branches (something much less organic than what you see here)… but my idea didn’t make it onto the page. Instead, the sketch took off in a different direction (as they sometimes do) and when I stood back and looked at it, I didn’t think it was good enough to put on the blog. The only reason I decided to post it was because my very encouraging husband liked it a lot.

And the reaction to it… the reaction was a gift. It received lots of likes and lots of positive feedback. Family, friends, complete strangers ― everyone seemed to like it! I did not see that coming.

That was back in November 2012. Since then, and largely because of that one little black bird, all my paintings and drawings get posted on this blog whether I’m happy with them or not. Dunedin, my most recent painting, also took off in an unexpected direction (and I wasn’t sure I liked the end result) and it’s another one that has been surprisingly well received. So I’m still no closer to figuring out what other people are going to like… and I’m okay with that. More than okay. It’s one of the things I really enjoy about blogging — it’s all part of the big art experiment that is my life.

Thanks for reading. And thanks for letting me know what you like (even when I don’t understand why).

P.S. I quite like the black bird now but I’m still undecided about Dunedin…

A sparrow’s tale

Work in progress #1 – the underpainting
Work in progress #1 – the underpainting

These photos show the progress of Sparrow (Monday’s In the style of…) painting. I started with an underpainting of Ultramarine Blue and Burnt Umber ― I’ve fallen in love with these two colours because they blend together to make the most beautiful black (see the note below about chromatic blacks).

Work in progress #2 – painting the background and the body
Work in progress #2 – painting the background and the body
Work in progress #3 – filling in details
Work in progress #3 – filling in details
Work in progress #4 – adding black and white
Work in progress #4 – adding black and white

I’m a big fan of chromatic blacks (made using colour rather than a specific black pigment). It’s so satisfying to mix your own ‘black’ and achieve subtle variations of colour — it’s much more fun than simply reaching for a tube of Ivory Black (although I do that too). I’ve used both kinds of black in my little sparrow painting.

Work in progress #5 – no no no no no
Work in progress #5 – no no no no no

I got a bit carried away adding white to his feathers and ended up with a colour I didn’t like ― a sort of pale grey-brown ― so I waited for the unfortunate, dreary colour to dry and painted a more cheerful pinky-brown over it (see below).

Sparrow – acrylic on canvas, 200 x 255 mm, 2013
Sparrow – acrylic on canvas, 200 x 255 mm, 2013

I also made him a little bit fatter and a whole lot fluffier. And I still really like that strand of spider silk in the corner.

Thanks for reading.

In the style of… Celestino Piatti

Sparrow – acrylic on canvas, 200 x 255 mm, 2013
Sparrow – acrylic on canvas, 200 x 255 mm, 2013
Sparrow – Akaroa, 2012
Sparrow – Akaroa, 2012

It may seem a strange thing for an arachnophobe to say… but my favourite thing about this painting is the thread of spider silk.

I’ll post my work-in-progress photos later in the week.

Celestino Piatti

The Happy Owls, 1964 and Animal ABC, 1966 Images from http://onceuponabookshelf.com
The Happy Owls, 1964 and Animal ABC, 1966
Images from http://onceuponabookshelf.com

Prolific Swiss artist and designer Celestino Piatti (1922–2007) has an instantly recognisable style. I may be wrong but I’m pretty sure I’m one of his biggest fans. My favourite Piatti quote: “You can draw an owl a thousand times, and never find out its secret”.

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.