This week’s Shoot it, Sketch it revisited is a little different. Rather than painting Black bird on a grey day again (which I was just about to do), I’ve used it as the inspiration for a haiku (prompted by blogger Digital Granny who thought the image would make a nice background for a poem). It’s my first ever haiku. It’s such a fascinating art form — I’ve been meaning to write one for ages. Thanks, DG.
Am I the only one who finds it impossible to predict what people are going to like?
I certainly didn’t think anyone would like Black bird on a grey day. I was wrong.
The sketch is based on a photograph. I thought I would create a pattern out of the branches (something much less organic than what you see here)… but my idea didn’t make it onto the page. Instead, the sketch took off in a different direction (as they sometimes do) and when I stood back and looked at it, I didn’t think it was good enough to put on the blog. The only reason I decided to post it was because my very encouraging husband liked it a lot.
And the reaction to it… the reaction was a gift. It received lots of likes and lots of positive feedback. Family, friends, complete strangers ― everyone seemed to like it! I did not see that coming.
That was back in November 2012. Since then, and largely because of that one little black bird, all my paintings and drawings get posted on this blog whether I’m happy with them or not. Dunedin, my most recent painting, also took off in an unexpected direction (and I wasn’t sure I liked the end result) and it’s another one that has been surprisingly well received. So I’m still no closer to figuring out what other people are going to like… and I’m okay with that. More than okay. It’s one of the things I really enjoy about blogging — it’s all part of the big art experiment that is my life.
Thanks for reading. And thanks for letting me know what you like (even when I don’t understand why).
P.S. I quite like the black bird now but I’m still undecided about Dunedin…
These photos show the progress of Sparrow (Monday’s In the style of…) painting. I started with an underpainting of Ultramarine Blue and Burnt Umber ― I’ve fallen in love with these two colours because they blend together to make the most beautiful black (see the note below about chromatic blacks).
Work in progress #2 – painting the background and the bodyWork in progress #3 – filling in detailsWork in progress #4 – adding black and white
I’m a big fan of chromatic blacks (made using colour rather than a specific black pigment). It’s so satisfying to mix your own ‘black’ and achieve subtle variations of colour — it’s much more fun than simply reaching for a tube of Ivory Black (although I do that too). I’ve used both kinds of black in my little sparrow painting.
Work in progress #5 – no no no no no
I got a bit carried away adding white to his feathers and ended up with a colour I didn’t like ― a sort of pale grey-brown ― so I waited for the unfortunate, dreary colour to dry and painted a more cheerful pinky-brown over it (see below).
Sparrow – acrylic on canvas, 200 x 255 mm, 2013
I also made him a little bit fatter and a whole lot fluffier. And I still really like that strand of spider silk in the corner.
Prolific Swiss artist and designer Celestino Piatti (1922–2007) has an instantly recognisable style. I may be wrong but I’m pretty sure I’m one of his biggest fans. My favourite Piatti quote: “You can draw an owl a thousand times, and never find out its secret”.
In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.
Boutique brewery logo, packaging and advertising campagin – word map and logo sketches Visual diary, two-page spread (student project, 2011)
The design aesthetic for this student project owes much to the textiles of William Morris. My campaign evolved from the idea that the Old Mill could have been a converted textile mill. You can see the individual logo designs in my previous post.
Old Mill Brewers tee shirts and bottles (digital mock-ups).I had ever such a lot of fun writing the menu too.
The diary pages are from a journal I designed for my Design & Arts College exhibition in 2012. Two years of research, ideas, word maps and sketches had to be reduced to a mere 72 pages. It was no easy task but I now have a beautiful, professionally bound diary that I’ll always treasure.
Here is a sneak peek at the project I’ll be featuring in Friday’s Dear diary post. Oh how I wish these really existed. Sadly, the beers and the brewery are just figments of my imagination. After exhaustive research ( ! ) I discovered that some beers taste of chocolate, coffee, cherries and honey (although usually not all at the same). Yum!