Head in the Clouds

‘Head in the Clouds’ acrylic on canvas, 500 x 500 mm, 2021. Available.

Don’t ask me where this is. It’s not important. It was late summer, early in the morning. The air was damp and the mountains were obscured by low cloud. We didn’t mind; there was beauty around every corner and we weren’t in a hurry. As the clouds began to lift and catch the light, the mood began to shift and the river tumbled on as if this had been nothing extraordinary.

Reference photo ~ somewhere in the South Island
‘Head in the Clouds’ detail
‘Head in the Clouds’ detail

A Break in the Weather

I love the way seagulls park on street lights. What views they must have! I gave this painting the working title ‘Seagull Parking’ but I always knew that was a little too obscure to be a keeper. The inspiration was a photo I took in a carpark ~ in the golden hour before the sun sets ~ while we were waiting to collect our pizza. Yes, inspiration is everywhere : )

The original plan was to create something more like the reference photo, quite subdued and almost monotone with the seagull as the focal point, but the purple/grey underpainting took it in a different direction ~ one which was more in keeping with how spectacular the sky really looked that evening ~ and that meant rethinking the title.

‘A Break in the Weather’ acrylic on canvas, 500 x 500 mm, 2020. Available.

P.S. I’m particularly pleased with those two birds flying in the background. The simpler it is, the harder it is.

Big Sky

‘Big Sky I’ — acrylic on canvas, 155 x 155 mm (left canvas, diptych), 2020
‘Big Sky II’ — acrylic on canvas, 155 x 155 mm (right canvas, diptych), 2020
‘Big Sky’ diptych — acrylic on canvas, 155 x 155 mm each canvas, 2020. Available.

New Zealand, you inspire me!

Cloud animals (word prompts)

The following six-word stories were prompted by the Page Flutter Six-Word Story Challenge. I’m also posting a few of my favourites over on Instagram.

16. Mother’s young, her pride and joy.

17. The hidden path, hidden no longer.

18. Yellow boots: sunshine for grey days.

19. Hatchlings peeped at their new world.

20. Cloud animals carelessly mix and mingle.

21. She planted a kiss. Love grew.

22. Thunderbolt and lightning… very, very frightening.

[April prompts: mother’s young, hidden path, yellow boots, hatchlings, cloud animals, planted, thunderstorm.]

Both sides of the line

Landscape in the late afternoon (with cows) – acrylic on canvas, 510 x 760 mm, 2015. For sale at The Christchurch Art Show, June 2015.
Landscape in the late afternoon (with cows) – acrylic on canvas, 510 x 760 mm, 2015. Sold.

“Draw on both sides of the line, not just what you’re enclosing. The shape you’re making on the outside is as important as the one you’re making on the inside.” Leon Polk Smith

My latest painting, the one that began last week with this photo and sketch: a combination of brilliant sunlight and playful cloud shapes. And who doesn’t love finding things in the clouds?

I’m reminded of the Joni Mitchell song Both Sides, Now: “I’ve looked at clouds from both sides now, from up and down, and still somehow it’s cloud illusions I recall ― I really don’t know clouds at all.”

Landscape in the late afternoon (with cows), landscape detail
Landscape in the late afternoon (with cows), landscape detail

Landscape in the late afternoon (with cows), cloud detail
Landscape in the late afternoon (with cows), cloud detail