In the style of… Aubrey Hammond

February 3, 2014March 22, 2014 | Anna Cull

The Press – ink, watercolour pencil and digital, 190 x 140 mm, 2014

Getting inspired by the 1920s…

Aubrey Hammond

Book cover (1927) and London Underground poster (1923) Images from www.sf-foundation.org and www.ltmuseumshop.co.uk — Aubrey Hammond – book cover (1927) and London Underground poster (1923)
Images from www.sf-foundation.org and www.ltmuseumshop.co.uk

British artist Aubrey Hammond (1894–1940) is responsible some of my favourite1920s London Underground posters. He also illustrated several books and taught commercial and theatrical design. I think his cover for Metropolis, Thea von Harbou’s novel designed to complement the movie (co-written with husband Fritz Lang), is simply stunning.

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.

In the style of… Evaline Ness

January 6, 2014March 22, 2014 | Anna Cull

The convention – ink and watercolour, 205 x 255 mm, 2013

I’ve only recently discovered Evaline Ness (although the illustrations in Sam, Bangs and Moonshine do seem curiously familiar). Her work is delightful and quirky across a wide range of styles and mediums. I particularly like the bold lines and restricted use of colour in the illustrations below. The reference photo is yet another one taken using my nothing-special cellphone ― which explains the appalling quality ― but it’s still good enough for sketching purposes. I’ve said it before and I’ll say it again (and I’m quoting photographer Chase Jarvis here), the best camera is the one you have with you. I’m starting to think it may be time to invest in a better phone… or a smaller camera.

Evaline Ness

American artist Evaline Ness (1911–1986) has several claims to fame. As well as being an extremely versatile illustrator and author of children’s books, she was also a fashion model, a fashion illustrator and was, at one time, married to FBI investigator Elliot Ness. It sounds like a movie just waiting to happen.

In the style of… Maurice Sendak

October 14, 2013June 24, 2020 | Anna Cull

St Germain and the tree – ink and watercolour, 297 x 210 mm, 2013 — St Germain and the Tree – ink and watercolour, 297 x 210 mm, 2013

If this looks a little familiar, that’s probably because the reference photograph was taken right next to the one I used for last week’s sketch. This time I used watercolour pencils and my trusty Staedtler pigment liners and took inspiration from one of my favourite illustrators, Maurice Sendak. You can see the early stages of my sketch below. (St Germain is the name of the restaurant in the photo.)

Work in progress #1 – watercolour pencil sketch Work in progress #2 – after adding water — Work in progress #1 – watercolour pencil sketch
Work in progress #2 – after adding water

Maurice Sendak

Everyone has heard of American illustrator and author Maurice Sendak (1928–2012), haven’t they? And even if you don’t know his name, I’m sure you’ll be familiar with his wonderful book Where the Wild Things Are.

In the style of… Fougasse

October 7, 2013March 22, 2014 | Anna Cull

Tram – ink and digital, 297 x 210 mm, 2013

Tram (edited and unedited photos) – Christchurch, 2010 — Tram (edited and original photos) – Christchurch, 2010

Simple lines and a few splashes of colour. I really enjoyed this one — does it show?

Fougasse

Posters from 1944 Images from www.pickmix.co.uk — Posters from 1944
Images from www.pickmix.co.uk

Fougasse was the nom de plume of London-born cartoonist Cyril Kenneth Bird (1887–1965). I’m a big fan of the posters he designed for the London Underground. I love the simplicity of these illustrations — and the humour.

In the style of… Nancy Ekholm Burkert

September 23, 2013January 30, 2014 | Anna Cull

Lake Taupo – graphite and charcoal, 205 x 255 mm, 2013

Today’s In the style of… drawing was an excuse to test my Derwent tinted charcoal pencils. Some of the colours are VERY similar (especially the darker tints) but they do have lovely names: Driftwood, Glowing Embers, Ocean Deep, Sunset Pink). I wonder how they’d respond to water…

Nancy Ekholm Burkert

Roald Dahl’s classic story James and the Giant Peach has been illustrated a number of times. The original illustrations (and possibly my favourites) were by Nancy Ekholm Burkert in 1961.

A sparrow’s tale

September 11, 2013March 26, 2014 | Anna Cull

These photos show the progress of Sparrow (Monday’s In the style of…) painting. I started with an underpainting of Ultramarine Blue and Burnt Umber ― I’ve fallen in love with these two colours because they blend together to make the most beautiful black (see the note below about chromatic blacks).

Work in progress #2 – painting the background and the body

Work in progress #3 – filling in details

Work in progress #4 – adding black and white

I’m a big fan of chromatic blacks (made using colour rather than a specific black pigment). It’s so satisfying to mix your own ‘black’ and achieve subtle variations of colour — it’s much more fun than simply reaching for a tube of Ivory Black (although I do that too). I’ve used both kinds of black in my little sparrow painting.

I got a bit carried away adding white to his feathers and ended up with a colour I didn’t like ― a sort of pale grey-brown ― so I waited for the unfortunate, dreary colour to dry and painted a more cheerful pinky-brown over it (see below).

Sparrow – acrylic on canvas, 200 x 255 mm, 2013

I also made him a little bit fatter and a whole lot fluffier. And I still really like that strand of spider silk in the corner.

Thanks for reading.