Head in the Clouds

‘Head in the Clouds’ acrylic on canvas, 500 x 500 mm, 2021. Available.

Don’t ask me where this is. It’s not important. It was late summer, early in the morning. The air was damp and the mountains were obscured by low cloud. We didn’t mind; there was beauty around every corner and we weren’t in a hurry. As the clouds began to lift and catch the light, the mood began to shift and the river tumbled on as if this had been nothing extraordinary.

Reference photo ~ somewhere in the South Island
‘Head in the Clouds’ detail
‘Head in the Clouds’ detail

A Break in the Weather

I love the way seagulls park on street lights. What views they must have! I gave this painting the working title ‘Seagull Parking’ but I always knew that was a little too obscure to be a keeper. The inspiration was a photo I took in a carpark ~ in the golden hour before the sun sets ~ while we were waiting to collect our pizza. Yes, inspiration is everywhere : )

The original plan was to create something more like the reference photo, quite subdued and almost monotone with the seagull as the focal point, but the purple/grey underpainting took it in a different direction ~ one which was more in keeping with how spectacular the sky really looked that evening ~ and that meant rethinking the title.

‘A Break in the Weather’ acrylic on canvas, 500 x 500 mm, 2020. Available.

P.S. I’m particularly pleased with those two birds flying in the background. The simpler it is, the harder it is.

The View from Here

‘The View from Here’ diptych — acrylic on canvas, 100 x 305 mm each canvas, 2020. SOLD

Fresh off the easel: the lights of Christchurch as seen from the Port Hills. The paintings are lightly textured and best seen from a bit of a distance. I was going to varnish them but I am really liking the subtle shifts in colour and texture of the unvarnished canvas and so I’m not going to risk it.

reference photo ~ Christchurch 2019
work in progress
final diptych