Life is too short to blend in

Galah, Australia – original photograph, 2014; Galah, pencil sketch – study for painting, 2015
Galah, Australia – original photograph, 2014; Galah, pencil sketch – study for painting, 2015

Sometimes the only opportunity to take photographs is from the back seat of a moving vehicle. No time to think ― just point and click. It helps if you are really quick and a little bit lucky. When you see the original shot prior to cropping (below), you could be forgiven for thinking that there was nothing much in this scene worth painting…

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…but I zoomed in and used the scribble sketch to figure out my composition. I’m now painting the landscape and building up lots of lovely textures, and then I’ll have to figure out the best way to paint the cockatoo — too realistic and he won’t have the sense of fun I want to create; too abstract and no one will know he’s a bird. Wish me luck : )

Shoot it, Sketch it: Hidden depths

Hamurana Springs, 2013
Hamurana Springs, 2013
Hidden Depths — acrylic on canvas, 305 x 305 mm, 2014
Hidden Depths — acrylic on canvas, 305 x 305 mm, 2014. Private collection.

I’ve painted this magical place (although not this particular image) before. Hamurana Springs also inspired Flow (my first ever abstract), Stand (an experiment in using pastels) and Redwoods (an acrylic version of Stand). There are quite a few layers of paint on this one ― lots of colours and loads of texture. The painting looks particularly good at night with the light spilling down through the gap in the trees and reflecting on the water.