Tag Archives: New Zealand

Mountains ahead to climb

The High Country — acrylic on canvas panel, framed, 2018.

“It isn’t the mountains ahead to climb that wear you out; it’s the pebble in your shoe.” Muhammad Ali

Now framed, ‘The High Country’ will be making its debut at this year’s Pegasus Bay Art Show (Waimakariri, NZ). Artworks from 78 local artists will be exhibited and available for purchase. There will also be an art display by the children of Pegasus Bay School which I am very much looking forward to seeing. The art show runs from 21st – 23rd September.

🏔 Onward and upward. 🏔

Supermoon at Twilight

Supermoon at Twilight — acrylic on canvas, 305 x 405 mm, 2018. Available.

‘Supermoon at Twilight’ is a revisiting of my study of a supermoon over Moorhouse Ave, Christchurch, in 2013. The new version was painted on a black canvas (of course!). The work-in-progress images (below) show i) work on the composition (mainly tweaking the city silhouette) and ii) changes to the underpainting colours prior to adding the final layers. Go, moon, go!

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The High Country

The High Country — acrylic on canvas panel, framed, 205 x 255 mm, 2018. Available soon.

If you’ve ever been through Springfield on your way to the west coast of New Zealand’s South Island, you would have seen this view of Mt Torlesse, Korowai/Torlesse Tussocklands Park. It is one of my favourite parts of the country. It’s also a landscape that I painted in 2014 which you can see here. I found it interesting comparing the two paintings ~ four years has gone by in my art journey and I hope I’ve learnt a thing or two along the way.

‘The High Country’ is currently waiting to be framed and will be available soon. It is the first of a number of landscapes that I’ve decided to revisit and paint again, this time as part of my ‘black canvas experiment’.

And I’m not going to get tired of painting on black canvas any time soon.
🏔🏔🏔 Onward and upward. 🏔🏔🏔

The Drawing Room

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I have been revamping listings on Etsy to show how my paintings and note cards could look when displayed in rooms (or, as I like to call them, drawing rooms). The process of ‘framing’ them was fascinating, to see what worked and what didn’t. These are a few favourites.

The year that was

My 2017 in paintings…

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