…and another slideshow showing the progression from reference photograph (taken oh so long ago in 2009) through to the final line drawing. Available on Etsy as a printable instant download for your colouring pleasure : )
Colouring pages for the virtual traveller, for the stuck-at-home self-isolator, and for those of you who love a challenge… It has taken me over a week to draw this Port Chalmers scene. What was meant to be a single, printable, A4 page has ended up being so detailed (what was I thinking?) that I have created a two-pager as well, to make it a little easier to colour in (all three are shown above). I’ve just started colouring the single-page version ~ I’ll post it here when it’s finished.
As New Zealand prepares to enter a four-week nationwide lockdown (thanks, COVID-19), I have been wondering if there might be some little thing that I could do to make life a little lighter and brighter for those in isolation from their normal lives. And so the first of my colouring pages is being born. Of course I have picked THE most complicated scene to start with… and it’s taking ages to draw… but I figure that if I’m not bored, anyone colouring it in might be not bored too.
Port Chalmers colouring page ~ a work in progress
I’m planning to do at least three New Zealand landscapes as colouring pages. My first page is based on a photograph of Port Chalmers with the historic Iona Church in the foreground and a large congregation of houses and trees in the surrounding neighbourhood. It may take a day or two (or three) to finish… and then it will be available via Etsy as a printable instant download.
City Lights diptych — acrylic on canvas, 2018. Private collection.
“It’s only impossible if you stop to think about it.” Pirate Captain.
‘City Lights’ is my second black canvas diptych inspired by Melbourne at night. The photograph (below) that inspired the painting was taken somewhere near Lygon Street. The photo of the painting (above) doesn’t really do it justice. As much as I love painting these black canvases, I’m finding them almost impossible to photograph properly.
I’m already on to the next one… : )
City Lights reference photograph, Melbourne, 2015.
Curves Ahead – acrylic on canvas, 400 x 505 mm, 2016. SOLD
Here is the third in my ‘roads and signs’ series. (Please see my earlier posts for the background story.)
The landscape is typical of the stunning scenery as seen from the road between Christchurch and Akaroa. I’ve posted the original photograph, the study and WIP images below:
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I didn’t intend to use such a vivid green in the foreground — yes, it’s the same colour that crept into the other two paintings in the series — and now I can’t imagine the painting without it.
Summer Hills – acrylic on canvas, 400 x 505 mm, 2016. SOLD
Here is the second in my ‘roads and signs’ series of landscapes based on photographs I’ve taken over the years as a passenger, being driven from one place to another along Canterbury’s beautiful winding roads but rarely having the opportunity to stop and take a proper photo. I started turning some of my slightly random through-the-window shots into paintings last year and I suspect I’ll continue to do more again this year.
‘Summer Hills’ is a landscape somewhere on the road from Akaroa to Christchurch and very near the location of the painting in my previous post. I’ve included the original photograph, the initial study and several WIP images below:
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You may be able to tell from the WIPs that I wasn’t entirely sure what to do with the lower half of the painting — the sky was pretty much there from day one but the foreground was another story. I solved it in the end by mixing a really bright lime green and a vivid blue and just ‘going for it’ (I believe that’s the technical term).