Shoot it, Sketch it: Wellington Harbour

Wellington Harbour – acrylic on canvas, 455 x 610 mm, 2014
Wellington Harbour – acrylic on canvas, 455 x 610 mm, 2014. SOLD
Wellington Harbour — edited photograph (left), 2013 and original photograph (right), 2008
Wellington Harbour — edited photograph (left), 2013 and original photograph (right), 2008

Today’s painting was inspired by my photograph of Wellington Harbour on a sunny, summer afternoon originally posted here. I also referred to the unedited image (prior to giving it the tilt-shift treatment and cropping it to remove the reflections from the hotel window) for some of the details.

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The Church is fine (pen vs earthquake)

Anna Cull Pen vs earthquake Oxford Tce

Built in 1881, the Oxford Terrace Baptist Church was one of the many buildings conspicuously absent from the landscape when we flew over Christchurch last month. I’ve circled the relevant piece of dirt in the photograph below (click on the photo for a closer look). The building was badly damaged by the September 2010 earthquakes and then completely collapsed in the February 2011 earthquake. It was famous for having a sign out the front which read: “Our building is cracked, the Church is fine!” Although the neoclassical structure (an unusual style for Christchurch) is not going to be rebuilt, there are reports that the damaged Oamaru stone is to be used in a sculpture ― what a wonderful way of honouring the spirit and tenacity of its congregation.

Where Oxford Terrace Baptist Church isn’t, Christchurch, 2013
Where Oxford Terrace Baptist Church isn’t, Christchurch, 2013

Anna Cull Pen vs earthquake Oxford Tce comparison

The sketch is originally from this student project. Ben Heine’s ingenious Pencil Vs Camera images were my inspiration for this series.

Shoot it, Sketch it: Purple

Purple coneflowers, digitally edited photographs – Christchurch, 2003
Purple coneflowers, digitally edited photographs – Christchurch, 2003

I have no idea where my original photographs are but these are the arty versions (created quite a few years ago using Corel Photo-Paint) that inspired the diptych below. How I wish our garden still looked this good!

Purple coneflower diptych  – acrylic on textured card, 205 x 305 mm each, 2014
Purple coneflower diptych – acrylic on textured card, 205 x 305 mm each, 2014

A loose, sketchy style seemed the thing for these two studies. I also used less intense, more natural colours and resisted the urge to define all the edges. In some ways they feel a little unfinished, like a work still in progress, and yet I can’t bring myself to add any more paint.

In the style of… Evaline Ness

The convention – ink and watercolour, 205 x 255 mm, 2013
The convention – ink and watercolour, 205 x 255 mm, 2013
Seagulls at Lake Rotorua, 2013
Seagulls at Lake Rotorua, 2013

I’ve only recently discovered Evaline Ness (although the illustrations in Sam, Bangs and Moonshine do seem curiously familiar). Her work is delightful and quirky across a wide range of styles and mediums. I particularly like the bold lines and restricted use of colour in the illustrations below. The reference photo is yet another one taken using my nothing-special cellphone ― which explains the appalling quality ― but it’s still good enough for sketching purposes. I’ve said it before and I’ll say it again (and I’m quoting photographer Chase Jarvis here), the best camera is the one you have with you. I’m starting to think it may be time to invest in a better phone… or a smaller camera.

Evaline Ness

Evaline Ness — illustrations from Joey and the Birthday Present, written by Maxine Kumin and Anne Sexton (1971) Images from http://myvintagebookcollectioninblogform.blogspot.co.nz
Evaline Ness — illustrations from Joey and the Birthday Present, written by Maxine Kumin and Anne Sexton (1971)
Images from http://myvintagebookcollectioninblogform.blogspot.co.nz

American artist Evaline Ness (1911–1986) has several claims to fame. As well as being an extremely versatile illustrator and author of children’s books, she was also a fashion model, a fashion illustrator and was, at one time, married to FBI investigator Elliot Ness. It sounds like a movie just waiting to happen.

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.