This little painting has taken me on quite a journey with lots of colours, lots of layers and lots of lessons learnt along the way ― and now it is finally (finally!) finished. To see it in more detail, I’ve included a little slideshow (below).
The photo montage that inspired this painting was posted here last week and a WIP update was posted here.
The photographs were taken through our car’s dirty windscreen on my nothing-special cellphone (don’t worry, I wasn’t driving). Work in progress shown below.
Here is the finished painting based on last week’s photo and sketch. In real life, the texture of the night sky is quite subtle and, in some lights, the surface looks smooth and the dark purple appears almost black. I wouldn’t mind painting a few more of these : )
For years I’ve been wanting to create something based on this view of Christchurch taken from the Port Hills and now I’m finally getting around to it. I made a couple of little changes to the original photo because a not-quite-full moon just seemed a little sad.
This sketch is the reference for an acrylic painting that I’ll post for next week’s Shoot it, Sketch it.
Here is Auckland’s Sky Tower ― the tallest man-made structure in New Zealand ― surrounded by little fluffy clouds. The sketch was an exercise in simplicity and contrast. Left to my own devices, I would have added more details and shading, but that’s not really the point of this exercise. I used watercolour pencils and my new Molotow acrylic paint markers (oh what a wonderful world we live in!).
Images from www.pickmix.co.uk
I’m a little jealous of American-born artist and designer Edward McKnight Kauffer (1890–1954). He studied in Paris, illustrated several of T. S. Eliot’s books (apparently he was Eliot’s preferred illustrator) and designed posters for the London Underground. Not a bad career.
In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.
Although I’ve always liked the composition of this photograph, I really wanted to have a bit of fun with the sketch. What better way than by utilising Jim Flora’s dynamic and colourful style?! The linework is ink on illustration board, coloured in Photoshop.
American artist James (Jim) Flora (1914–1998) is probably best known for his jazz and classical album covers from the 1940s and 1950s. His work includes children’s books, paintings, woodcuts and commercial illustrations. If you’re not familiar with his art, I recommend checking out www.jimfloraart.com and www.jimflora.com. But be warned, his art is not only colourful and humorous, it has also been described as diabolic, sinister and mischievous!
In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.
Anna Cull ~ Art & Music 