Dear diary, part nine

Science Fiction stamp design – sketches Visual diary, two-page spread  (student project, 2011)
Science Fiction stamp design – sketches
Visual diary, two-page spread (student project, 2011)
Science Fiction stamp poster (594 x 420 mm) Background stars and planets courtesy of the Internet Student project, 2011
Science Fiction stamp poster (594 x 420 mm)
Stars and planets (background collage) courtesy of the Internet
Student project, 2011

Another one of my favourite designs at college was this stamp poster (and all of the stamps). Below is the text I wrote as part of the project:

Commemorating 50 years of science fiction on television in New Zealand, this collection features illustrations of some of the 1960s most iconic science fiction programmes.

Television arrived in New Zealand homes at a time when great advances were being made in space exploration. The 1960s was a decade obsessed with the “space race” as the Soviet Union and the United States competed to put a man on the moon. These 12 stamps depict television shows that tapped into our fascination with space and space travel. There were tales of friendly aliens living among us and of hostile alien invasions; journeys into our possible future and into the questionable past; galaxies filled with spaceships, robots and strange new worlds.

This post is the last of my Dear diary series… but I think I’ll start blogging about the artwork for these stamps — because stamps are cool : )

The diary pages are from a journal I designed for my Design & Arts College exhibition in 2012. Two years of research, ideas, word maps and sketches had to be reduced to a mere 72 pages. It was no easy task but I now have a beautiful, professionally bound diary that I’ll always treasure.

Peonies (WIP)

Peonies triptych (WIP #1) – acrylic on canvas
Peonies triptych (WIP #1) – acrylic on canvas
Peonies triptych (WIP #2)
Peonies triptych (WIP #2)
Peonies triptych (WIP #3)
Peonies triptych (WIP #3)

Work in progress photos of my first painting commission… I’ll post photos of the finished painting tomorrow.

My first ever painting commission (WIP)

Peonies – acrylic sketch and triptych mock-up
Acrylic sketch and triptych mock-up

There was quite a bit of work behind the scenes before the brush ever touched the canvas. My client knew the subject and the colour that she wanted but hadn’t been able to find a painting or print to match her vision. I was commissioned to create an artwork ― any medium, any style ― of three red peony roses. Wow. Really? Okay.

I opted for an acrylic painting on stretched canvas. But what size should it be?

Mock-ups showing various options – the client chose the bottom left triptych
Mock-ups showing various options – the client chose the bottom left triptych

Because I was able to take photographs of the room, I decided to make several mock-ups of the canvas sizes that I thought would suit the space. My client chose a triptych measuring 100 x 100 cm. A sketch was approved and three canvases were ordered…

WIP update

Final painting

In the style of… Jim Flora

CBD 2010 – ink and digital, 280 x 355 mm, 2013.
CBD 2010 – ink and digital, 280 x 355 mm, 2013
Bikes – Christchurch, 2010.
Bikes – Christchurch, 2010

Although I’ve always liked the composition of this photograph, I really wanted to have a bit of fun with the sketch. What better way than by utilising Jim Flora’s dynamic and colourful style?! The linework is ink on illustration board, coloured in Photoshop.

Jim Flora

Images (1954, 1955, 1957) from www.jimflora.com
Images (1954, 1955, 1957) from http://www.jimflora.com

American artist James (Jim) Flora (1914–1998) is probably best known for his jazz and classical album covers from the 1940s and 1950s. His work includes children’s books, paintings, woodcuts and commercial illustrations. If you’re not familiar with his art, I recommend checking out www.jimfloraart.com and www.jimflora.com. But be warned, his art is not only colourful and humorous, it has also been described as diabolic, sinister and mischievous!

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.