encouragement

Unexpected outcomes, part four

| Anna Cull
Black bird sketch – ink on paper, 2012
Black bird sketch – ink on paper, 2012

Am I the only one who finds it impossible to predict what people are going to like?
I certainly didn’t think anyone would like Black bird on a grey day. I was wrong.

The sketch is based on a photograph. I thought I would create a pattern out of the branches (something much less organic than what you see here)… but my idea didn’t make it onto the page. Instead, the sketch took off in a different direction (as they sometimes do) and when I stood back and looked at it, I didn’t think it was good enough to put on the blog. The only reason I decided to post it was because my very encouraging husband liked it a lot.

And the reaction to it… the reaction was a gift. It received lots of likes and lots of positive feedback. Family, friends, complete strangers ― everyone seemed to like it! I did not see that coming.

That was back in November 2012. Since then, and largely because of that one little black bird, all my paintings and drawings get posted on this blog whether I’m happy with them or not. Dunedin, my most recent painting, also took off in an unexpected direction (and I wasn’t sure I liked the end result) and it’s another one that has been surprisingly well received. So I’m still no closer to figuring out what other people are going to like… and I’m okay with that. More than okay. It’s one of the things I really enjoy about blogging — it’s all part of the big art experiment that is my life.

Thanks for reading. And thanks for letting me know what you like (even when I don’t understand why).

P.S. I quite like the black bird now but I’m still undecided about Dunedin…

Shoot it, Sketch it: Survivor

| Anna Cull
Survivor – ink and coloured pencil, 195 x 220 mm, 2013
Survivor – ink and coloured pencil, 195 x 220 mm, 2013
The old cash register – Tauranga, 2013
The old cash register – Tauranga, 2013

We discovered this beautiful antique in an art gallery while we were away on holiday. The till and its owner used to live in Christchurch but moved because of recent events (such as earthquakes) ― the sign says it’s still in good working order!

Unexpected outcomes, part two

| Anna Cull
Toy museum – ink sketch and final image.
Toy museum – ink sketch and final image.

An unexpected outcome doesn’t always add magic to an image. Serendipity is a wonderful thing but, unfortunately, not all accidents are pleasant surprises.

Toy museum is a good example. It’s an ink sketch that I scanned and coloured digitally. While I was drawing it, I realised it would have to be reworked ― a stray line here, an unfortunate expression there ― but rather than starting again (something my tutors at design school would have insisted on), I kept calm, carried on and decided that I would correct modify those bits later. It’s not cheating; it’s a kind of mixed media that includes digital tools : )

If you compare the sketch with the final image, quite a few things haven’t changed at all, but I had trouble with some of the faces and so I edited them in Photoshop. I tweaked a few other things as well but not too much — I didn’t want to take away the personality of the drawing.

Ironically, knowing that I CAN change something later means that I tend to relax and enjoy my art more and then, more often than not, I DON’T NEED TO change anything. And I like it when that happens too.

Unexpected outcomes, part one

| Anna Cull
sketch ink drawing stamp
Penguins — sketches and final image

Some people call them mistakes. I like to call them unexpected outcomes.

It can be very frustrating when a drawing doesn’t turn out as planned. Why can’t I draw a straight line? Why isn’t the perspective right? The figures are flat. The colours are wrong. The ink has dripped onto the paper and now the sky is frowning.

Personally, I don’t think there’s anything wrong with this kind of creative struggle. Quite the opposite. I believe that unexpected outcomes are an essential part of the creative process. They’re an indication that we’re exploring possibilities, stretching ourselves and continuing to grow as artists.

You start with a blank piece of paper. You draw. After ten minutes (or an hour or a day), you’ve created something that NOBODY ELSE IN THE WORLD has created. Something new exists because of you. Okay, so it’s not what you imagined it would be and maybe you’re a bit disappointed. But sometimes, sometimes it takes your breath away. I did that? How did I do that? I wonder if I could do that again?

Sometimes the very thing that we didn’t intend is where the magic happens.