

A little ink and watercolour study…


I’ve only recently discovered Evaline Ness (although the illustrations in Sam, Bangs and Moonshine do seem curiously familiar). Her work is delightful and quirky across a wide range of styles and mediums. I particularly like the bold lines and restricted use of colour in the illustrations below. The reference photo is yet another one taken using my nothing-special cellphone ― which explains the appalling quality ― but it’s still good enough for sketching purposes. I’ve said it before and I’ll say it again (and I’m quoting photographer Chase Jarvis here), the best camera is the one you have with you. I’m starting to think it may be time to invest in a better phone… or a smaller camera.

American artist Evaline Ness (1911–1986) has several claims to fame. As well as being an extremely versatile illustrator and author of children’s books, she was also a fashion model, a fashion illustrator and was, at one time, married to FBI investigator Elliot Ness. It sounds like a movie just waiting to happen.
In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.
A little jaunt over Christchurch last week in a 1944 DC-3 has yielded quite a crop of new photographs… I’m really pleased with them, especially considering how small the window was and that we were basically right over one of the wings!
Amy (officially ZK-AMY) is a fairly rare bird and will, sadly, be retiring early next year. The day of our flight was quite hazy and more than a little bumpy but the experience was pure magic. Amy will soon be on permanent display at the Ashburton Aviation Museum.
The photos not only show Canterbury’s beautiful farmland in all its patchwork glory, they also show how altered Christchurch is ― earthquakes have removed many familiar landmarks and made the cityscape rather beige and boxy ― but perhaps that is a post better left for another day.


I was so impressed with Dunedin’s gorgeous architecture when we were there on holiday last month that I went mad taking photographs ― but then I couldn’t decide which one to paint first… So I arranged a few favourites based on a nine-square grid (editing it in Photoshop and adding a few extra cabbage trees here and there). And now I’m painting it. This may take a while.

Today’s painting is something a little bit different (for me) and a new take on this Canterbury landscape.