Shoot it, Sketch it revisited: Riding the waves

Riding the falls – acrylic on canvas, 405 x 305 mm, 2013
Riding the falls – acrylic on canvas, 405 x 305 mm, 2013

CRAFT FAIR UPDATE: Unfortunately, this Saturday’s craft fair in Halswell (Christchurch, New Zealand) has been cancelled. The organisers say there weren’t enough stall holders to make it worthwhile. I find myself looking around the art cave at my freshly varnished paintings and thinking: what was all that about? Ah well, at least I’ll be prepared when the next art fair comes along!

So that’s the reason I’m posting Monday’s Shoot it, Sketch it a few days early (the painting is a reworking of Riding the waves) ― to let you know what’s happening (or not happening, as the case may be) and because it’s the perfect image for how I’m feeling at the moment.

Now I think I’ll have a few days off and turn my attention to more pressing matters… such as the 50th anniversary of Doctor Who this weekend : )

Shoot it, Sketch it revisited: Stand

Redwoods – acrylic on canvas, 255 x 305 mm, 2013
Redwoods – acrylic on canvas, 255 x 305 mm, 2013 (sold)

I started my Shoot it, Sketch it posts a year ago today. Yes, a whole year has gone by! Some have been In the style of… posts, inspired by the work of some amazing illustrators, and in total there have been 50 of them. The only two weeks I missed were when I was away on holiday ― taking more photos to sketch, draw and paint : ) When Bec from Clouds of Colour and Alana from The Little Leaf started this feature, I had no idea that I’d still be going a year later. No wonder I’m running out of room in my little studio! Today’s painting was originally done with pastel on card and posted here.

Number 200

In the art cave – acrylic on canvas (detail), 2013
In the art cave – acrylic on canvas (detail), 2013

I’ve spent the last 18 months (and 200 posts) experimenting quite a lot with different styles and mediums, researching artists and illustrators, and stretching my creative wings. I completed my first commission a couple of months ago and now it seems the time has come to start putting my art ‘out there’ — for sale, I mean. So I’ve started to rework some of my earlier pieces with this in mind…

This firefly painting began life as a mixed media collage. Turning it into a painting proved to be a bit of a challenge but I got there in the end.

Housekeeping notes: as well as changing my WordPress header, I’ve also changed the title of my blog (just the name, not the URL/web address) from ‘Anna Cull ~ illustration & design’ to ‘in the art cave’ — oh and I’ve updated my About page too.

Shoot it, Sketch it: My autumn almanac

Autumn calling, 2013
Autumn calling, 2013
Autumn calling (blue, detail) – mixed media, 2013
Autumn calling (blue, detail) – mixed media, 2013

Today’s Shoot it, Sketch it is yet another experiment. The inspiration was a photograph taken at our back door last April. Something about the dry, curly leaves and the tiny, creamy white petals really appealed to me.

Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013
Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013

I painted it three times ― twice with brushes (above) and a third time with a palette knife (using the leftover paint for the background) and acrylic paint markers (below).

Autumn calling – acrylic on canvas, 165 x 215 mm, 2013
Autumn calling – acrylic on canvas, 165 x 215 mm, 2013

Then I combined the three paintings in Photoshop and tweaked a few filters to create the series below.

Autumn calling – mixed media, 2013
Autumn calling – mixed media, 2013
Autumn calling, orange – mixed media, 2013
Autumn calling, orange – mixed media, 2013
Autumn calling, blue – mixed media, 2013
Autumn calling, blue – mixed media, 2013

In the style of… Maurice Sendak

St Germain and the tree – ink and watercolour, 297 x 210 mm, 2013
St Germain and the Tree – ink and watercolour, 297 x 210 mm, 2013
St Germain – Christchurch, 2010
St Germain – Christchurch, 2010

If this looks a little familiar, that’s probably because the reference photograph was taken right next to the one I used for last week’s sketch. This time I used watercolour pencils and my trusty Staedtler pigment liners and took inspiration from one of my favourite illustrators, Maurice Sendak. You can see the early stages of my sketch below. (St Germain is the name of the restaurant in the photo.)

Work in progress #1 – watercolour pencil sketch Work in progress #2 – after adding water
Work in progress #1 – watercolour pencil sketch
Work in progress #2 – after adding water

Maurice Sendak

Maurice Sendak – illustrations from Where the Wild Things Are (1963) Images from http://mrbiggs.com
Maurice Sendak – illustrations from Where the Wild Things Are (1963)
Images from http://mrbiggs.com

Everyone has heard of American illustrator and author Maurice Sendak (1928–2012), haven’t they? And even if you don’t know his name, I’m sure you’ll be familiar with his wonderful book Where the Wild Things Are.

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.