Amy

Amy – ink and watercolour on paper, 255 x 205 mm, 2013.
Amy – ink and watercolour on paper, 255 x 205 mm, 2013.

My friend Amy may have lost her fob watch. It’s not easy being a Time Lord if you can’t remember who you are. (Happy birthday, Amy.)

Dear diary, part four

Beat book cover design – sketches and layout ideas  Visual diary, two-page spread (student project, 2011)
Beat book cover design – sketches and layout ideas
Visual diary, two-page spread (student project, 2011)
'A meme that launched a millions trips' – final cover design
‘A meme that launched a millions trips’ – final cover design

For this project we had to use found images and a limited colour palette to design the cover of a book about the beat poets. My cover is a paper collage of photographs, censored texts and deconstructed poetry. The background features excerpts from the works of Allen Ginsberg, Jack Kerouac and William S. Burroughs that I have retyped, rearranged, printed, torn into pieces and transferred on to paper using an acetone printing technique (the same technique I used for my book without boundaries). The acetone transfer produced a wonderful, imperfect, aged sort of effect which you can see in more detail below.

Final cover design, detail
Final cover design, detail

The diary pages are from a journal I put together for my Design & Arts College exhibition in 2012. Two years of research, ideas, word maps and sketches had to be reduced to a mere 72 pages. It was no easy task but I now have a beautiful, professionally bound diary that I’ll always treasure.

Dear diary, part three

‘Trash your ash – play the game and everybody wins’ – sketches and final illustration  Visual diary, two-page spread (student project, 2011)
‘Trash your ash – play the game and everybody wins’ – sketches and final illustration
Visual diary, two-page spread (student project, 2011)

‘Trash your ash’ mock-ups (billboard and installation) – ink, photography and digital Visual diary, two-page spread (student project, 2011)
‘Trash your ash’ mock-ups (billboard and installation) – ink, photography and digital
Student project, 2011

The brief for this project was to design an anti-cigarette-litter billboard and public installation for the city council’s ‘Future Vision of a Clean City’ campaign. The focus had to be on anti-not-thinking rather than anti-smoking. For the installation, I turned my drawing of Christchurch’s Anglican Cathedral and Chalice sculpture into a pop-up board game that could be played in public spaces around the city. It was a lot of fun putting my illustration into the photo ― I wonder why I don’t do that more often?

The diary pages are from a journal I designed for my Design & Arts College exhibition in 2012. Two years of research, ideas, word maps and sketches had to be reduced to a mere 72 pages. It was no easy task but it’s something I’ll always treasure.

Dear diary, part two

Playing cards ‘Sphinx’ and ‘Alchemy’ – refining the compositions and final illustrations  Visual diary, two-page spread – ink and digital, student project, 2010
‘Sphinx’ and ‘Alchemy’ – sketches, compositions and final illustrations
Visual diary, two-page spread (student project, 2010)

Playing cards ‘Secret Passageway’ and ‘Ivory Tower’ – refining the compositions and final illustrations  Visual diary, two-page spread – ink and digital, 2010
‘Secret Passageway’ and ‘Ivory Tower’ – sketches, compositions and final illustrations
Visual diary, two-page spread (student project, 2010)

The design brief for this project was to create four playing cards based on the word ‘arcane’. And arcane is such a wonderful word:

Arcane – my top ten synonyms
Arcane – my top ten synonyms

The process went something like: figure out what to draw (using word maps and thumbnail sketches), find suitable reference material (photographs of pyramids, camels, medieval suns/moons, monks, castles…), and then sketch and arrange the elements to make a meaningful composition. You can see the final playing card designs here.

These pages are from the visual diary I designed for my Design & Arts College exhibition in 2012. Two years’ worth of research, ideas, word maps and sketches had to be edited to fit a single, professionally printed journal of only 72 pages. It was no easy task but it’s something I’ll always treasure.

In the style of… A. B. Frost

Welcome to my first ever In the style of… which will be appearing occasionally instead of the regular Shoot it, Sketch it posts on Mondays. I plan to draw inspiration from some of the world’s greatest illustrators. It’s really Shoot it, Sketch it with a twist ― I’ll still be using my photographs as a starting point but I’ll be drawing/painting them with a particular style in mind. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently. My hope is that it will take my own art in different directions.

At the beach – ink on paper, 140 x 240 mm, 2013.
At the beach – ink on paper, 140 x 240 mm, 2013.

At the beach – Nelson, 2011.
At the beach – Nelson, 2011.

Drawing this week’s photograph was a bit of a challenge. The rocks and stones were straightforward enough (believe it or not) but it took several attempts before I was happy with the driftwood. And if you’re wondering who A. B. Frost is…

A. B. Frost

A. B. Frost – illustrations from Lewis Carroll’s A Tangled Tale, 1886 Images from http://www.gutenberg.org
A. B. Frost – illustrations from Lewis Carroll’s A Tangled Tale, 1886
Images from http://www.gutenberg.org

American artist Arthur Burdett Frost (1851–1928) is famous for illustrating  Mark Twain’s Tom Sawyer and Huckleberry Finn characters as well as Joel Chandler Harris’ Uncle Remus and Brer Rabbit stories but it’s these two illustrations from A Tangled Tale that inspired this week’s sketch. Frost’s compositions and linework are simply brilliant.