This isn’t it

Work in progress #2 – adding colour, adjusting the composition
Work in progress #2 – adding colour, adjusting the composition
Work in progress # 3, detail – more colour, more texture (and quite a lot of paint)
Work in progress # 3, detail – more colour, more texture (and quite a lot of paint)

I had such a clear idea of what I wanted to see on my canvas ― and this isn’t it. But at least the end is now in sight… Click here to see WIP #1.

Shoot it, Sketch it: First impressions

Dunedin, photo montage, 2013
Dunedin, photo montage, 2013
Work in progress # 1 – underpainting
Work in progress # 1 – underpainting

I was so impressed with Dunedin’s gorgeous architecture when we were there on holiday last month that I went mad taking photographs ― but then I couldn’t decide which one to paint first… So I arranged a few favourites based on a nine-square grid (editing it in Photoshop and adding a few extra cabbage trees here and there). And now I’m painting it. This may take a while.

Re-tour (pen vs earthquake)

Pen vs earthquake #4 – Retour/Edmonds Band Rotunda, 2013
Pen vs earthquake #4 – Retour/Edmonds Band Rotunda, 2013

The iconic Thomas Edmonds band rotunda opened in 1929. It was converted into a restaurant in the 1980s and was operating as Retour Restaurant at the time of the Christchurch earthquakes. It was officially ‘deconstructed’ in 2012. The structurally sound dome has been removed and some of the less damaged columns, balustrades and steps have been salvaged. So at least that’s something.

My pen vs earthquake series is proving to be quite challenging. It’s taking me into parts of the inner city I haven’t seen for months and I’m never sure what I’m going to find… sometimes there is nothing left of the original building to photograph. How exactly do you photograph nothing? And why would you want to?

Anna Cull Pen vs earthquake Retour

The sketch is originally from this student project (click on the link and scroll down). The photographs were taken last month. Ben Heine’s amazing Pencil Vs Camera images were my initial inspiration. There are links below to more of my ‘pen vs earthquake’ images.

Pen vs earthquake #1 – Mona Vale, 2013

Pen vs earthquake #2 – The Octagon, Design & Arts College and the Hotel Grand Chancellor, 2013

Pen vs earthquake #3 – Shand’s Emporium, 2013

Shoot it, Sketch it revisited: Riding the waves

Riding the falls – acrylic on canvas, 405 x 305 mm, 2013
Riding the falls – acrylic on canvas, 405 x 305 mm, 2013

CRAFT FAIR UPDATE: Unfortunately, this Saturday’s craft fair in Halswell (Christchurch, New Zealand) has been cancelled. The organisers say there weren’t enough stall holders to make it worthwhile. I find myself looking around the art cave at my freshly varnished paintings and thinking: what was all that about? Ah well, at least I’ll be prepared when the next art fair comes along!

So that’s the reason I’m posting Monday’s Shoot it, Sketch it a few days early (the painting is a reworking of Riding the waves) ― to let you know what’s happening (or not happening, as the case may be) and because it’s the perfect image for how I’m feeling at the moment.

Now I think I’ll have a few days off and turn my attention to more pressing matters… such as the 50th anniversary of Doctor Who this weekend : )

Shoot it, Sketch it: Go, moon. Go!

Moon over Moorhouse – acrylic on watercolour paper, 205 x 255 mm, 2013
Moon over Moorhouse – acrylic on watercolour paper, 205 x 255 mm, 2013
Moon over Moorhouse, Christchurch, 2013
Moon over Moorhouse – Christchurch, 2013

The photographs were taken through our car’s dirty windscreen on my nothing-special cellphone (don’t worry, I wasn’t driving). Work in progress shown below.

Moon over Moorhouse, WIP – underpainting
Moon over Moorhouse, WIP – underpainting