Shoot it, Sketch it: My autumn almanac

Autumn calling, 2013
Autumn calling, 2013
Autumn calling (blue, detail) – mixed media, 2013
Autumn calling (blue, detail) – mixed media, 2013

Today’s Shoot it, Sketch it is yet another experiment. The inspiration was a photograph taken at our back door last April. Something about the dry, curly leaves and the tiny, creamy white petals really appealed to me.

Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013
Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013

I painted it three times ― twice with brushes (above) and a third time with a palette knife (using the leftover paint for the background) and acrylic paint markers (below).

Autumn calling – acrylic on canvas, 165 x 215 mm, 2013
Autumn calling – acrylic on canvas, 165 x 215 mm, 2013

Then I combined the three paintings in Photoshop and tweaked a few filters to create the series below.

Autumn calling – mixed media, 2013
Autumn calling – mixed media, 2013
Autumn calling, orange – mixed media, 2013
Autumn calling, orange – mixed media, 2013
Autumn calling, blue – mixed media, 2013
Autumn calling, blue – mixed media, 2013

In the style of… Maurice Sendak

St Germain and the tree – ink and watercolour, 297 x 210 mm, 2013
St Germain and the Tree – ink and watercolour, 297 x 210 mm, 2013
St Germain – Christchurch, 2010
St Germain – Christchurch, 2010

If this looks a little familiar, that’s probably because the reference photograph was taken right next to the one I used for last week’s sketch. This time I used watercolour pencils and my trusty Staedtler pigment liners and took inspiration from one of my favourite illustrators, Maurice Sendak. You can see the early stages of my sketch below. (St Germain is the name of the restaurant in the photo.)

Work in progress #1 – watercolour pencil sketch Work in progress #2 – after adding water
Work in progress #1 – watercolour pencil sketch
Work in progress #2 – after adding water

Maurice Sendak

Maurice Sendak – illustrations from Where the Wild Things Are (1963) Images from http://mrbiggs.com
Maurice Sendak – illustrations from Where the Wild Things Are (1963)
Images from http://mrbiggs.com

Everyone has heard of American illustrator and author Maurice Sendak (1928–2012), haven’t they? And even if you don’t know his name, I’m sure you’ll be familiar with his wonderful book Where the Wild Things Are.

In the style of… appears occasionally instead of my regular Shoot it, Sketch it posts. Using my own photographs as a starting point, I’m drawing inspiration from some of the world’s greatest illustrators. It’s not about slavishly copying someone else’s art; it’s an experiment in seeing things differently.

Shoot it, Sketch it: Historic Empire Hotel

Historic Empire Hotel, Ross – ink and watercolour, 200 x 255 mm, 2013
Historic Empire Hotel, Ross – ink and watercolour, 200 x 255 mm, 2013

Historic Empire Hotel – Ross, 2013
Historic Empire Hotel – Ross, 2013

Fresh off the drawing board, here is a little sketch of the hotel we stayed at in Ross last weekend. The town was established in 1865 during the West Coast gold rush and once had a population of more than 3,000 ― now it’s closer to 300. We had a wonderful time at a friend’s ‘When I’m 64’ birthday party and jam night : )

On the way there, I took a few photos of the mountains which are looking positively picturesque at the moment (Christchurch to Ross via Arthur’s Pass). I’ve posted my absolute favourite shots on my Facebook page.

Beatles love

All You Need Is Love, detail – acrylic on canvas, 255 x 305 mm, 2013
All You Need Is Love, detail – acrylic on canvas, 255 x 305 mm, 2013. Private collection.

I painted this little Beatles record as a test for my new Golden satin varnish — I’m preparing to varnish the Peonies triptych and I read somewhere that dark colours can appear cloudy under satin or matte varnish if not applied correctly. So I bought a cheap stretched canvas and had a bit of fun.