Losing sleep

Springtime — acrylic on canvas, 280 x 355 mm, 2014
Springtime — acrylic on canvas, 280 x 355 mm, 2014

I’ve spent the last few months getting my head around opening a shop online on Etsy and the day is almost here. Who knew it was going to be this much work?! If all goes according to plan, the official opening will be this weekend. I will, of course, make an announcement here and on Facebook : )

I’ve been researching like mad, making the hard decisions about what to sell and how to price them, painting new versions of old favourites (e.g. Springtime was based on this Shoot it, Sketch it painting) and, truth be told, losing a bit of sleep over it all… I don’t want the shop to become my reason for painting. I paint for the joy of it, for the tactile gratification of making something with my hands, for the wonder of stepping back (on a good day) and saying “I did that!” Keeping that focus is important to me. I’m also mindful of other people ― I find myself somewhere between the worlds of fine art and graphic design. I prefer a brief. I set them for myself all the time (hence the Shoot it, Sketch it posts and the In the style of… challenges). So why is opening a shop any different? I don’t know but it is.

I have also been rereading Steal Like An Artist, Austin Kleon’s ‘manifesto for creativity in the digital age’. It’s a wonderful resource full of advice, pithy quotes and encouragement. I dip into the pages from time to time and I am always rewarded. Let me give you an example:

“The manifesto is this: Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use―do the work you want to see done.” Austin Kleon

Is it really that simple? I’ll let you know.

A little light relief

Through the trees — acrylic on canvas, 100 x 305 mm, 2014
Through the Trees — acrylic on canvas, 100 x 305 mm, 2014

This is one of the smallest paintings I’ve ever done! It’s based on this painting and this photograph that I posted last year. It may still be autumn (officially) in Christchurch but this month has felt a lot more like winter ― the sunny glow coming from this little canvas has been very welcome here in the art cave.

Shoot it, Sketch it: Pink

Spring blossoms, original photograph – Christchurch, 2012
Spring blossoms, original photograph – Christchurch, 2012

Spring blossoms – acrylic on canvas, 240 x 300 mm, 2014
Spring blossoms – acrylic on canvas, 240 x 300 mm, 2014. Private collection.

I took a few liberties with the composition and colours on this one. I don’t have any WIP (work in progress) photos but trust me when I say that it only came alive when I added blue to the background (and a hint of blue to the petals).

P.S. Yes, this is the same plum tree immortalised here, here and here.

Shoot it, Sketch it: My autumn almanac

Autumn calling, 2013
Autumn calling, 2013

Autumn calling (blue, detail) – mixed media, 2013
Autumn calling (blue, detail) – mixed media, 2013

Today’s Shoot it, Sketch it is yet another experiment. The inspiration was a photograph taken at our back door last April. Something about the dry, curly leaves and the tiny, creamy white petals really appealed to me.

Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013
Autumn calling – acrylic on canvas, diptych: each panel 125 x 175 mm, 2013

I painted it three times ― twice with brushes (above) and a third time with a palette knife (using the leftover paint for the background) and acrylic paint markers (below).

Autumn calling – acrylic on canvas, 165 x 215 mm, 2013
Autumn calling – acrylic on canvas, 165 x 215 mm, 2013

Then I combined the three paintings in Photoshop and tweaked a few filters to create the series below.

Autumn calling – mixed media, 2013
Autumn calling – mixed media, 2013

Autumn calling, orange – mixed media, 2013
Autumn calling, orange – mixed media, 2013

Autumn calling, blue – mixed media, 2013
Autumn calling, blue – mixed media, 2013